The Devil is a Lion

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The animal most commonly associated with the Devil card in tarot decks is the goat, for obvious reasons; other animals chosen for this card are often ones we look down on, such as donkeys, monkeys, or scary black ravens. We see them as being tied to their baser instincts (lust, theft, foolishness), representing the worst that we refuse to see in ourselves. Yet every animal is based in instincts, humans included. And so I decided to take an animal we very frequently romanticize, the lion, and show how it, too, can be a symbol of the things we fear in ourselves. For out on the savannah, the lion is not merely an animal to ooh and aah over with a camera. It is dangerous and deadly, and those who live in the same places know to be very careful, particularly at night. There are worse human-animal encounters at home than a raccoon knocking over a garbage can. For people who live on the land, raising livestock or farming, the appearance of a lion–with or without its pride–can be a nightmare come true.

The grassfire is another notable motif; it is all-consuming, and even the lion must run from it. But reversed, this card can symbolize finding a way through the flames to freedom. You may have to dodge the hungry jaws of a lion whose prey has been driven away, but you’ll reach safety if you keep running.

Just two assemblages left–one is done but needs to be photographed, and the other should be done in the next few days. So close!!!!

 

 

Have a Chat with the Page of Swords

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When I was first deciding what animals would represent the Court cards, one bird came to mind for the Page of Swords: the raven. Often typecast as a dark, scary being in animal-based tarot sets, frequently playing the part of the Devil, I thought this intelligent, playful bird deserved a chance for a more light-hearted role in my deck. The Page of Swords can be a real chatterbox, quick-minded and full of ideas. Ravens, similarly, can cause quite a ruckus, and with their keen observation of the world and ability to learn fast, they’re some of the most adaptable critters out there. Reversed, this card means all talk and no action, and it would be a poor specimen of raven-hood who only croaked in the face of a problem and didn’t follow it up with some solution

This is, of course, a resin replica of a raven skull since the real deal isn’t legal to own. Also, uniquely among the Court cards he keeps his jaw intact rather than separate, since speech is such a crucial part of what makes him himself. The skull is turned to the side to show off his “blade”, though.

We’re up to 72 cards now–just seven left including the Happy Squirrel! Can I finish them all by the end of the year? Wait and see!

Starting July With the Six of Wands

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It’s a new month, and here’s the first assemblage for July, the Six of Wands! This is a great card for any artist or other creative sort–it signifies that people are noticing and enjoying your work, and you’re riding high on that success and renown. Be careful if it reverses, though–you could be headed for burnout, or a fall from grace. Therefore it’s a card that needs to be carefully balanced, as do your efforts.

This is the 45th assemblage I’ve completed, and I have the 46th just about done on my workbench; I should unveil it tomorrow. I don’t have quite as much of a lead on my schedule as I did a few weeks ago, but I’m still ahead of schedule. The year’s halfway over, and I was halfway done with the assemblages back at #39. I intend to keep powering my way forward, so look for more art as the month progresses.

On a different note, please keep in mind that every hour I put toward these assemblages is time I can’t spend on efforts to pay my bills now; all that IndieGoGo money is earmarked for Tarot of Bones expenses. If you’d like to help me keep a roof over my head and provide for my household today, consider becoming my Patron on Patreon, or purchasing my books on nature paganism and my hide and bone artwork. And while I won’t be offering Tarot of Bones readings til next year when the deck is out, I do offer totem readings with the Animal-Wise deck right now! Many thanks for all your support!

Like the Tarot of Bones? Here’s One (Free) Way to Help Make it Happen!

As I mentioned in my last update, over the past couple of weeks I’ve been travelling a fair bit; I was in San Jose for PantheaCon, and the following weekend Seattle for MythicWorlds. While at these two events, I spoke to a lot of people about the Tarot of Bones. While some had never heard of the project (but were really interested), a fair number not only have been watching my progress but said they really loved my work. Now that’s a gratifying experience!

One thing I did hear repeatedly was “Well, I know I don’t comment on the pictures you post, but I’m really enjoying them!” It’s good to know that folks are watching, even if you don’t even like/fave/etc. the pics and updates on Facebook, Tumblr, etc. And I do understand that when you only have a few minutes’ worth of downtime on the internet, writing out an entire comment may be a bit much to ask.

However, as an artist, and particularly one engaging with an online audience, the likes, faves, comments and shares/reblogs mean a LOT. It shows me that you are indeed paying attention to my work, and that you enjoy what I’m creating. That helps motivate me to keep working on it. And when you share or reblog my post/pics/website, you’re letting other people know that the Tarot of Bones exists. Word of mouth is one of the most important ways for a project to pick up momentum, and as April 7 is the projected start date for my IndieGoGo campaign, the more people who know about it the better!

So from here on out, can you help me by being more visible in your support? Even if you can’t write out a full comment, a quick like/fave or reblog/share will go a long way both in helping me promote the Tarot of Bones, and in giving me a nice morale boost to keep working on this ambitious endeavor! Many, many thanks 🙂

The First Major Arcana Assemblage is Done!

Just finished up Temperance earlier today. I admit I’ve been a little more cautious with the Major Arcana, in part because skulls are generally more expensive than the other bones. That, and people have a tendency to make a bigger deal out of them than the minor (it’s even in the name!) But the little resin replica burrowing owl skull I had was reallllly speaking to me over the weekend, and so I spent some time assembling the Temperance card for it to live in.

As an artist, this was a particularly challenging piece. I am not especially confident in my painting and drawing skills; I’m surrounded by people for whom traditional media are their primary tools of the trade, folks who went to school and took dozens of hours of classes. So I feel like my homegrown painting skills aren’t as impressive. Still, I’ve developed a style over the years, and I wanted to bring it to bear in this piece. I figured it was small enough, and the replica inexpensive enough, that if I screwed it up I wouldn’t be out much for materials.

Actually, though, I like how it turned out. I’m especially proud of the band of stars in the upper right quadrant; I don’t believe I’ve ever tried painting stars all that seriously before. I wasn’t up for trying to paint sand, though, so I opted for the real thing–yes, that’s actual sand on the bottom two quadrants.

I do have to admit that while the skull I used is an especially nice replica, I prefer working with the real deal, both for feel and appearance. However, of all the owl skull replicas that didn’t cost an arm and a leg it’s the nicest (here’s where I got it). It’s actually made from a barred owl, not a burrowing owl, but they look close enough that for the purposes of this deck this one will work. After I do some crowdfunding and other fundraising this spring I’ll be able to purchase some of the more expensive replica skulls on my list. (Ah, the things I do for my art.)

I’m also catching up on my schedule of making the assemblage pieces. In order to successfully make 78 pieces by the end of 2015, I need to average 6.5 pieces per month. This is a quiet time of the year; as we get closer to summer and festival season I’m going to have less time for this project, so I’m making the most of the present. I’ve also been writing up the descriptions of each card for the companion book as I finish its assemblage piece, so that ideally by the end of the year not only will I have the assemblage pieces done but I’ll also have most, if not all, of a first draft of the book.

And Now, the Four of Wands

I was supposed to be out of town this weekend vending at an event, but Thursday night I was feeling absolutely awful. Thankfully I had a couple of minions (okay, my boyfriend and one of our friends) step up to cover the booth for me so I could recover, for which I am incredibly grateful. I had some time to rest up, and I mostly stayed indoors (other than walking to Fred Meyer for hardware for this piece–and, of course, food.) And late last night, when I probably should have been tucked away in bed, I completed the Four of Wands.

This was a much more technically complicated piece than the Three of Cups. For one thing it’s a lot bigger, as are the bones I used. I wanted to replicate the floral canopy seen in most renditions of the Four of Wands, but three-dimensionally. This required more metal bits and hardware than I usually employ in my work–and I HATE working with hardware. I will happily hand-sew leather all day, and glue things to other things, and slap paint all over everything. But tell me I have to bolt things together, and the holes aren’t already there, and I have to measure everything exactly, and I devolve into a whining pile of contrariness. Thankfully, my desire to make this assemblage happen prevailed, and so I pulled myself together and got to work.

All I had to make holes for 1/4″ hardware was my Dremel; we have a cordless drill tucked away somewhere in the garage, but it was pouring down cats and dogs yesterday and I had a big case of the “I Don’t Wanna”s. So I decided to make do with the Dremel and its accessories. I won’t bore you with the process I went through to drill holes in the backboard; needless to say I managed to not injure myself or set anything on fire.

After that, everything was easy. I got the bones into place, wrapped the hardware with yarn, created the bower out of artificial plant materials (whose dye decided to rub off on the bones a bit), and finished off the border with even more yarn. It makes me happy, though some perverse part of me wants to tuck a couple of Barbie dolls in faux-Greek style and little floral wreaths in the bower. Or maybe now that gay marriage is legal here I can use it to stage the long-awaited wedding of He-Man and Skeletor. (What? If I can’t play with my own art then what’s the point of being an artist?)

You’ll notice that it’s a bit different in style from the Three of Cups. I have to create seventy-six more assemblage pieces this year. I would go absolutely bonkers by number fifteen if they were all just tiny variations on the same theme. They’ll all be bound together by their bones (and by me as their creator), but each one is going to have its own personality. You’ll see.

Here: bonus picture showing off the three-dimensional nature of the Four of Wands:

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Introducing the Tarot of Bones

Welcome to the official website for the Tarot of Bones! As of this inaugural post, the website primarily has background information on the project. Over time, I will post updates here, including progress on the art for the 78 tarot cards and the accompanying book, information on a future crowdfunding campaign, and other relevant news.

In the meantime, why don’t you take a look at the rest of the site? Everything’s linked on the right sidebar.

And thank you for your time and consideration!